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  2. Color field - Wikipedia

    en.wikipedia.org/wiki/Color_field

    Gene Davis also was a painter known especially for paintings of vertical stripes of color, like Black Grey Beat (1964) and he also was a member of the group of abstract painters in Washington, D.C. during the 1960s known as the Washington Color School. The Washington painters were among the most prominent of the mid-century color field painters.

  3. Mark Rothko - Wikipedia

    en.wikipedia.org/wiki/Mark_Rothko

    Mark Rothko (/ ˈ r ɒ θ k oʊ / ROTH-koh; Markus Yakovlevich Rothkowitz until 1940; September 25, 1903 – February 25, 1970) was a Latvian American abstract painter. He is best known for his color field paintings that depicted irregular and painterly rectangular regions of color, which he produced from 1949 to 1970.

  4. Ellsworth Kelly - Wikipedia

    en.wikipedia.org/wiki/Ellsworth_Kelly

    In each work, he started with a rectangular canvas which he carefully painted with many coats of white paint; a shaped canvas, mostly painted black, is placed on top. [ 27 ] In reference to his own work Kelly said in an interview in 1996: "I think what we all want from art is a sense of fixity, a sense of opposing the chaos of daily living.

  5. $50 painting from Hamptons barn sale nabbed by NY art ... - AOL

    www.aol.com/50-painting-hamptons-barn-sale...

    The painting will be auctioned on Nov. 20 in Toronto, with its value estimated at $100,000 to $200,000. Canadian painter Emily Carr’s artwork will be sold at auction. Facebook

  6. Ed Clark (artist) - Wikipedia

    en.wikipedia.org/wiki/Ed_Clark_(artist)

    Especially later when he placed the canvas on the floor, the broom in Clark’s hands spread color in wide, often horizontal swaths that spoke of energy and speed. [1] [3] He called it his “big sweep.” [6] From oils in his early years, he moved on to brilliant acrylics on large canvases, and softer, quieter dry pigments on paper. [7]

  7. American Abstract Artists - Wikipedia

    en.wikipedia.org/wiki/American_Abstract_Artists

    American abstract art was struggling to win acceptance and AAA personified this. The 1938 Yearbook addressed criticisms levied against abstract art by the press and public. It also featured essays related to principles behind and the practice of making abstract art. In 1940, AAA printed a broadside titled "How Modern is the Museum of Modern Art?"

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