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Mireille Darc and Jean Gabin. Monsieur is a 1964 French-Italian-West German comedy film directed by Jean-Paul Le Chanois and starring Jean Gabin, Liselotte Pulver and Mireille Darc. [1] It was made as a co-production between France, Italy and West Germany. The film's sets were designed by Jean Mandaroux.
The aspect ratio of the film was 1.37:1, the Academy ratio. The audio of the film was monaural. [1] The duration of the film is 90 minutes. [1] The film was the second French film that Jean Gabin acted in after spending World War II in the United States. [4] The film was the first film that Jacques Sernas acted in. He played a boxer. [5] [6]
Jean Gabin Alexis Moncorgé (born Jean-Alexis Moncorgé), known as Jean Gabin (French: [ʒɑ̃ gabɛ̃]; 17 May 1904 – 15 November 1976), was a French actor and singer.. Considered a key figure in French cinema, he starred in several classic films, including Pépé le Moko (1937), La grande illusion (1937), Le Quai des brumes (1938), La bête humaine (1938), Le jour se lève (1939), and Le ...
The movie was a massive hit in France, the second most popular of 1958. [ 1 ] The New York Times described it as one of the first French "blockbusters" that appeared in response to such lengthy feature films as Around the World in 80 Days and The Ten Commandments .
A colorized version of the film was created in 1994, and aired on French television in 1996. This version ran 14 minutes shorter, with many scenes truncated but almost none completely removed. Only the black-and-white version received a U.S. DVD release, while most DVD releases in other countries have offered both the complete black-and-white ...
Voici le temps des assassins (French for "This is the time for murderers") is a 1956 French crime film directed by Julien Duvivier and starring Jean Gabin and Danièle Delorme. The title is a line of Matinée d'ivresse [ 1 ] - part of Illuminations by Arthur Rimbaud .
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The New York Times called it "meandering, stilted and extremely flat melodrama" which "spurts to life towards the end" when Gabin meets George Raft and "the two men lock eyeballs like two king cobras" with "a chilling authenticity". [5] The film was a moderate success at the French box office. [1]