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Sugar is a 1972 musical with a book by Peter Stone, music by Jule Styne, and lyrics by Bob Merrill. The musical is based on the 1959 film Some Like It Hot , which was adapted by Billy Wilder and I.A.L. Diamond from a story by Robert Thoeren and Michael Logan.
The Sugar Babies score contains standards such as "Don't Blame Me" and "I Feel a Song Comin' On", and newly created musical numbers, including "The Sugar Baby Bounce". [16] The show had burlesque "tropes" such as the swing number, the sister act, the fan dance, the vaudeville dog act.
"Let Me Be Your Sugar Baby" is a song written by Artie Malvin. [when?] The song inspired the Broadway musical, Sugar Babies, for which Malvin received a Tony Award nomination. [1] This song also inspired the name for the iconic Sugar Babies candy that was originally developed in 1935. [2]
Related: 'A Beautiful Noise: The Neil Diamond Musical' Star Will Swenson on Befriending Singer: 'My Dad's Going Nuts' Hudson, meanwhile, is familiar with the band-movie genre, previously starring ...
However, whereas Federico Fellini's black-and-white film concerns the romantic ups-and-downs of an ever-hopeful prostitute, in the musical the central character is a dancer-for-hire at a Times Square dance hall. The musical premiered on Broadway in 1966, where it was nominated for nine Tony Awards, winning the Tony Award for Best Choreography.
Breakfast at Tiffany's is a musical with music and lyrics by Bob Merrill and a book originally by Abe Burrows but rewritten during pre-Broadway tryouts by Edward Albee.It is based on the 1958 Truman Capote novella and 1961 film of the same name about a free spirit named Holly Golightly.
The story focuses on the challenges of mounting the original production of Shuffle Along and its effect on Broadway and race relations. The musical played on Broadway in 2016 and starred Audra McDonald, Brian Stokes Mitchell, Brandon Victor Dixon and Billy Porter. The initial critical response was mostly positive, with special praise from many ...
Do Re Mi is a musical with music by Jule Styne, lyrics by Betty Comden and Adolph Green, and a book by Garson Kanin, who also directed the original 1960 Broadway production. . The plot centers on a minor-league con man who decides to go (somewhat) straight by moving into the legitimate business of juke boxes and music promoti