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Glossary of literary terms. This glossary of literary terms is a list of definitions of terms and concepts used in the discussion, classification, analysis, and criticism of all types of literature, such as poetry, novels, and picture books, as well as of grammar, syntax, and language techniques.
Circumlocution – use of many words where a few would do. Classicism – a revival in the interest of classical antiquity languages and texts. Climax – an arrangement of phrases or topics in increasing order, as with good, better, best. Colon – a rhetorical figure consisting of a clause that is grammatically, but not logically, complete.
t. e. Literal and figurative language is a distinction that exists in all natural languages; it is studied within certain areas of language analysis, in particular stylistics, rhetoric, and semantics. Literal language is the usage of words exactly according to their direct, straightforward, or conventionally accepted meanings: their denotation.
Acatalexis: the opposite of catalexis. Acephalous line: a line lacking the first element. Line: a unit into which a poem is divided. Line break: the termination of the line of a poem and the beginning of a new line. Metre (or meter): the basic rhythmic structure of a verse or lines in verse.
comping (jazz) 1. to comp; action of accompanying. con. With; used in very many musical directions, for example con allegrezza (with liveliness), con calma (calmly lit.'with calm'); (see also col and colla) con dolcezza. See dolce. con sordina or con sordine (plural) With a mute, or with mutes.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
Caesura. A caesura (/ sɪˈzjʊərə /, pl. caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a metrical pause or break in a verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a tick ( ), or two lines, either slashed (//) or upright (||). In time value, this break may vary ...
The original edition had 15,000 words and each successive edition has been larger, [3] with the most recent edition (the eighth) containing 443,000 words. [6] The book is updated regularly and each edition is heralded as a gauge to contemporary terms; but each edition keeps true to the original classifications established by Roget. [2]