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Ancient Greek phonology is the reconstructed phonology or pronunciation of Ancient Greek.This article mostly deals with the pronunciation of the standard Attic dialect of the fifth century BC, used by Plato and other Classical Greek writers, and touches on other dialects spoken at the same time or earlier.
The Ancient Greek pronunciation shown here is a reconstruction of the Attic dialect in the 5th century BC. For other Ancient Greek dialects, such as Doric, Aeolic, or Koine Greek, please use |generic=yes. For a guide to adding IPA characters to Wikipedia articles, see Template:IPA and Wikipedia:Manual of Style/Pronunciation § Entering IPA ...
The term was also used to refer to cheap or often unlicensed Greek night clubs with a usually shady reputation of Greek music on the outskirts of a Greek city or town. [6] The typical arrangement in current skiladika establishments includes an elevated stage ("palco") where singers and musicians perform Greek songs, with the use of heavily ...
The range is approximately what is now depicted on a modern music staff and is given in the graphic below, left. Note that Greek theorists described scales as descending from higher pitch to lower, which is the opposite of modern practice and caused considerable confusion among Renaissance interpreters of ancient musicological texts.
For Latin, Latinized Greek or for long versus short α, ι, υ Greek vowels, this means that macrons and breves must be used if the pronunciation is to be unambiguous. However, the conventions of biological nomenclature forbid the use of these diacritics, and in practice they are not found in astronomical names or in literature.
Kalamatianó (Greek: καλαματιανό) is a type of Greek folk music associated with a dance sharing its name.Originating in the southern Greek port city of Kalamata, its most recognizable feature is its asymmetrical time signature of 7
Oktōēchos (here transcribed "Octoechos"; Greek: ὁ Ὀκτώηχος Ancient Greek pronunciation: [okˈtóixos]; [1] from ὀκτώ "eight" and ἦχος "sound, mode" called echos; Slavonic: Осмогласие, Osmoglasie from о́смь "eight" and гласъ "voice, sound") is the name of the eight mode system used for the composition of religious chant in Byzantine, Syriac, Armenian ...
Laïko or laïkó (Greek: λαϊκό [τραγούδι], romanized: laïkó [tragoúdi], pronounced [lai̯ˈko traˈɣuði]; lit. "[song] of the people", "popular [song]"; pl. λαϊκά [τραγούδια], laïká [tragoúdia]) is a Greek music genre composed in Greek language in accordance with the tradition of the Greek people.