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Slack-key guitar (from Hawaiian kī hōʻalu, which means "loosen the [tuning] key") is a fingerstyle genre of guitar music that originated in Hawaii. This style of guitar playing involves altering the standard tuning on a guitar from E-A-D-G-B-E, which has been used for centuries, so that strumming across the open strings will then sound a ...
In 1975, Kotani enrolled in Peter Medeiros' slack key guitar class at the University of Hawaii Continuing Education program. In 1976, Kotani began to study privately with slack key legend Sonny Chillingworth. Kotani returned to the University of Hawai'i program in 1986 to teach and pass on his knowledge of the Hawaiian slack key style to others.
He learned piano, and was taught to play ukulele and ki ho'alu (traditional slack key guitar styles) by his grandfather and his Uncle Pete Hauʻoli. He played alto saxophone and string bass in the Kalakaua Intermediate School and Farrington High School dance bands, and substituted in Musicians' Union bands during WW II. [ 2 ]
Pages in category "Slack-key guitar tunings" This category contains only the following page. This list may not reflect recent changes. S. Slack-key guitar
Raymond Kaleoalohapoinaʻoleohelemanu [a] Kāne [1] (/ ˈ k ɑː n eɪ /, Hawaiian:; October 2, 1925 – February 27, 2008), [2] was one of Hawaii's acknowledged masters of the slack-key guitar. Born in Koloa , Kauaʻi , he grew up in Nanakuli on Oʻahu 's Waiʻanae Coast where his stepfather worked as a fisherman.
A guitar solo is a melodic passage, instrumental section, or entire piece of music, pre-written (or improvised) to be played on a classical, electric, or acoustic guitar. In 20th and 21st century traditional music and popular music such as blues , swing , jazz , jazz fusion , rock and heavy metal , guitar solos often contain virtuoso techniques ...
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Funk emphasizes the groove and rhythm as the key element, so entire funk songs may be based on one chord. Some jazz-funk songs are based on a two-, three-, or four-chord vamp. Some punk and hardcore punk songs use only a few chords. On the other hand, bebop jazz songs may have 32-bar song forms with one or two chord changes every bar.
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