Search results
Results from the WOW.Com Content Network
Nine Dragons (九龍圖卷; Jiǔlóngtú juǎn) is a handscroll painting by Chinese artist Chen Rong. [1] Painted in 1244, it depicts the apparitions of dragons soaring amidst clouds, mists, whirlpools, rocky mountains and fire, the painting refers to the dynamic forces of nature in Daoism and the liquid, water-like essence of the Tao. [2]
The arts of China (simplified Chinese: 中国艺术; traditional Chinese: 中國藝術) have varied throughout its ancient history, divided into periods by the ruling dynasties of China and changing technology, but still containing a high degree of continuity. Different forms of art have been influenced by great philosophers, teachers ...
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based on or draws on Chinese culture , heritage, and history.
Chinese street performers seen by Johan Nieuhof in 1655–57. Chinese performing arts have a long history. Variety show is known to existed as early as the Qin dynasty (221–207 BC) or possibly earlier. During the Qin and Han periods, Juedi (角抵) or Baixi (百戲) variety show was popular with the common people.
The Four Gentlemen are a recurring theme in art because of their long history as symbols of traditional Chinese virtues, such as uprightness, purity, humility, and perseverance despite harsh conditions. Each of them represent a different season (the plum blossom for winter, the orchid for spring, the bamboo for summer, and the chrysanthemum for ...
The four arts (simplified Chinese: 四艺; traditional Chinese: 四藝; pinyin: Sìyì), or the four arts of the Chinese scholar, were the four main academic and artistic talents required of the aristocratic ancient Chinese scholar-gentleman.
In 2021, The Hengshan Calligraphy Art Center (HCAC) - the first public calligraphy-themed art center was established as a branch of the Taoyuan Museum of Fine Arts. In undertaking the responsibility of preserving and studying traditional Chinese calligraphy, HCAC will also be a promoting base for developing Taiwanese calligraphy art.
These ideologies are present in Asian works by Indian, Chinese, and Japanese writers and artists, in their views of Western culture and tradition. A particularly significant development is the manner in which Orientalism has taken shape in non-Western cinema, as for instance in Hindi-language cinema .