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It was first recorded by Billie Holiday, who released it as the B-side of her hit "Lover Man" in 1945. [1] [2] In 1985, the song was recorded by Alison Moyet, whose version, produced by Pete Wingfield, topped the chart in New Zealand for three weeks [3] and reached number 2 on the UK Singles Chart. [2] [4]
"Strange Fruit" is a song written and composed by Abel Meeropol (under his pseudonym Lewis Allan) and recorded by Billie Holiday in 1939. The lyrics were drawn from a poem by Meeropol published in 1937. The song protests the lynching of Black Americans with lyrics that compare the victims to the
These songs were released under the band name "Billie Holiday & Her Orchestra". [146] Most noteworthy, the popular jazz standard "Summertime" sold well and was listed on the pop charts of the time at number 12, the first time the jazz standard charted.
Yvette (Elsa Harris Silver, NBC contract vocalist [12]) was featured singing the song, with spoken words added relevant to wartime, in the Olsen and Johnson film See My Lawyer (1945). [13] Billie Holiday's 1944 recording of the song was the final transmission sent by NASA to the Opportunity rover on Mars when its mission ended in February 2019 ...
The song was later recorded in 1938 by Teddy Wilson with a vocal by Nan Wynn, by Billie Holiday, [5] and by Glen Gray's Casa Loma Orchestra. The Wilson, Holiday, and Gray versions all placed in the top 20 of the music charts in 1938. [4] The song is played in Laura and The Big Sleep.
"Me, Myself, and I" (sometimes "Me, Myself and I (Are All in Love with You)") is a song written by Irving Gordon with lyrics by Allan Roberts and Alvin S. Kaufman. [ 1 ] It was first recorded in 1937 by several artists including Billie Holiday and Her Orchestra, Benny Goodman and His Orchestra, Bob Howard and His Orchestra, and Dick Jurgens and ...
Billie Holiday recorded the song for Verve Records on September 3, 1954, in Los Angeles with Her Orchestra, consisting of Harry Edison on trumpet, Willie Smith on alto saxophone, Bobby Tucker on piano, Barney Kessel on guitar, Red Callender on bass and Chico Hamilton on drums. The song is featured on the 1999 reissue of Lady Sings the Blues. [7 ...
Billie Holiday's rendering of the song with Teddy Wilson's orchestra was a favorite of Philip Larkin, who said, "I have always thought the words were a little pseudo-poetic, but Billie sings them with such passionate conviction that I think they really become poetry." [14] Holiday's version of the song peaked at No. 5 on the Billboard Pop Songs ...