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They also cowrote a third and fourth volume of The Rise of American Civilization series: America in Midpassage: A Study of the Idea of Civilization (1939) and The American Spirit (1942). Standalone works include The Making of American Civilization (1937) and Basic History of the United States (1944). The Beards' textbooks sold five million ...
Among the eight books featuring his work, is the 1986 coffee-table book The American Spirit: The Paintings of Mort Künstler, which contains nearly 200 images and commentary written by historian Henry Steele Commager. [5] [27] An updated edition of The American Spirit was published in 1994. [28]
Amerika is an American television miniseries that was broadcast in 1987 on ABC. The miniseries inspired a novelization entitled Amerika: The Triumph of the American Spirit. Amerika starred Kris Kristofferson, Mariel Hemingway, Sam Neill, Robert Urich, Christine Lahti, and a 17-year-old Lara Flynn Boyle in her first major role.
The Spirits' Book (Le Livre des Esprits in French) is part of the Spiritist Codification, and is regarded as one of the five fundamental works on Spiritism. It was published by the French educator Hippolyte Léon Denizard Rivail, under the pen name of Allan Kardec [ 1 ] on April 18, 1857.
A Republic of Mind and Spirit: A Cultural History of American Metaphysical Religion is a 2007 non-fiction book written by Catherine L. Albanese. It was published by Yale University Press . It was published as an ebook in 2017 by the same publisher.
Kennedy's debut novel American Spirit [10] was released in 2013, receiving the coveted starred review from Publishers Weekly, [11] which heralded the book as having, "...far surpassed the creation of character and conjured an entity so alive in its knowledge of impending death that we're captured in a new idea of what it's like to live."
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William Erwin Eisner (/ ˈ aɪ z n ər /; March 6, 1917 – January 3, 2005) was an American cartoonist, writer, and entrepreneur.He was one of the earliest cartoonists to work in the American comic book industry, and his series The Spirit (1940–1952) was noted for its experiments in content and form.
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