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The Celtic god Sucellus. Though the Celtic world at its height covered much of western and central Europe, it was not politically unified, nor was there any substantial central source of cultural influence or homogeneity; as a result, there was a great deal of variation in local practices of Celtic religion (although certain motifs, for example, the god Lugh, appear to have diffused throughout ...
The concept of Celticity encouraged cross-fertilisation between Celtic cultures. There have been modern texts based around Celtic literature. Bernard Cornwell writes about the Arthurian legends in his series The Warlord Chronicles. [3] Other writers of Celtic literature in English include Dylan Thomas and Sian James.
The tales continue to inspire new fiction, dramatic retellings, [14] visual artwork, music and research, [15] from early reinterpretations by Evangeline Walton in 1936, to J.R.R. Tolkien's The Silmarillion, to the 1975 song "Rhiannon" by Fleetwood Mac, to the 2009–2014 series of books commissioned by Welsh independent publisher Seren Books.
The Irish word fir means "men" and the word bolg/bolc can mean a belly, bag, sack, bellows, and so forth. Kuno Meyer and R. A. Stewart Macalister argue that the name comes from the term Fir i mBolgaib, meaning "breeches wearers", literally "men in (baggy) breeches", which could be interpreted as a term of contempt for the "lower orders".
Irish mythology is the body of myths indigenous to the island of Ireland. It was originally passed down orally in the prehistoric era. In the early medieval era, myths were written down by Christian scribes, who Christianized them to some extent. Irish mythology is the best-preserved branch of Celtic mythology.
In medieval Irish and Scottish legend, Scota is the daughter of an Egyptian pharaoh and ancestor of the Gaels. [1] She is said to be the origin of their Latin name Scoti , but historians say she (and her alleged ancestors and spouses) was purely mythological and was created to explain the name and to fit the Gaels into a historical narrative.
The traditional stories of the people were circulated in the form of oral culture, rather than written down. Works of a Christian nature were the first to appear in the Sean-Ghaeilge ( Old Irish ), the earliest form written in Latin script , as it would appear that the Gaelic speaking monks wanted to impart the religion to their flocks in the ...
Le cycle mythologique irlandais et la mythologie celtique [The Irish mythological cycle and Celtic mythology]. Paris, FR: Ernest Thorin – via Google Books. Arbois de Jubainville, Marie Henri de; Best, Richard Irvine (1903). The Irish mythological cycle and Celtic mythology (google) (translation ed.). Dublin, IE: O'Donoghue.
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