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Pi (/ˈpaɪ/; Ancient Greek /piː/ or /peî/, uppercase Π, lowercase π, cursive ϖ; Greek: πι) is the sixteenth letter of the Greek alphabet, representing the voiceless bilabial plosive IPA:. In the system of Greek numerals it has a value of 80.
Pythagoras of Samos [a] (Ancient Greek: Πυθαγόρας; c. 570 – c. 495 BC) [b], often known mononymously as Pythagoras, was an ancient Ionian Greek philosopher, polymath, and the eponymous founder of Pythagoreanism.
Many of the Greek deities are known from as early as Mycenaean (Late Bronze Age) civilization. This is an incomplete list of these deities [n 1] and of the way their names, epithets, or titles are spelled and attested in Mycenaean Greek, written in the Linear B [n 2] syllabary, along with some reconstructions and equivalent forms in later Greek.
The number π (/ p aɪ /; spelled out as "pi") is a mathematical constant, approximately equal to 3.14159, that is the ratio of a circle's circumference to its diameter.It appears in many formulae across mathematics and physics, and some of these formulae are commonly used for defining π, to avoid relying on the definition of the length of a curve.
In Greek mythology, Neoptolemus (/ ˌ n iː ə p ˈ t ɒ l ɪ m ə s /; Ancient Greek: Νεοπτόλεμος, romanized: Neoptólemos, lit. 'new warrior'), originally called Pyrrhus at birth (/ ˈ p ɪ r ə s /; Πύρρος, Pýrrhos, 'red'), was the son of the mythical warrior Achilles and the princess Deidamia, and the brother of Oneiros. [1]
The sanctuary contained a small temple of Artemis, a unique stone bridge, cave shrines, a sacred spring, and a pi-shaped (Π) stoa that included dining rooms for ritual feasting. The unfortified site continued in use until tensions between the Athenians and the Macedonians the 3rd century BCE caused it to be abandoned.
The following is a family tree of gods, goddesses, and other divine and semi-divine figures from Ancient Greek mythology and Ancient Greek religion. Chaos
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.