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There has been much confusion between Deleuzian cinema scholars over how many images and signs there are in the movement-image, as well as disagreements as to how important such an expansion is for Deleuze's film philosophy. Ronald Bogue, writing in 2003, comments that at "a minimum, the signs of the movement-image are fourteen […].
In the first chapter of Cinema 2, Deleuze picks up where he left off in Cinema 1 to discuss how the time-image is born from a crisis of the movement-image. Thus, instead of what Deleuze had described as perception-images, affection-images, action-images, and mental images (all types of movement-image), there are now "opsigns" and "sondsigns ...
Deleuze's unusual metaphysics entails an equally atypical epistemology, or what he calls a transformation of "the image of thought". According to Deleuze, the traditional image of thought, found in philosophers such as Aristotle, René Descartes, and Edmund Husserl, misconceives thinking as a mostly unproblematic business. Truth may be hard to ...
Gilles Deleuze and Félix Guattari note that deterritorialization and reterritorialization occur simultaneously. The function of deterritorialization is defined as "the movement by which one leaves a territory", also known as a " line of flight ", but deterritorialization also "constitutes and extends" the territory itself.
Plane of immanence (French: plan d'immanence) is a founding concept in the metaphysics or ontology of French philosopher Gilles Deleuze. Immanence, meaning residing or becoming within, generally offers a relative opposition to transcendence, that which extends beyond or outside. Deleuze "refuses to see deviations, redundancies, destructions ...
Deleuze and Guattari use the terms "rhizome" and "rhizomatic" (from Ancient Greek ῥίζωμα, rhízōma, ... The red structure in the image is a tree, which ...
Deleuze wrote books such as Difference and Repetition, The Logic of Sense, Spinoza: Practical Philosophy (1970), and also wrote on Bergson, Leibniz, Nietzsche, etc., as well as other works on cinema (Cinema 1: The Movement Image). Both Deleuze and Foucault attempted to take distance from the strong influence of Marxism and psychoanalysis in ...
According to Deleuze, hodological space addresses the issue of overlapping perspectives so that a given object can be effectively grasped. [17] Jean-Paul Sartre also used the concept of hodological space to explain his notion that consciousness is embodied. It is the basis of his argument that the individual is characterized through intentional ...