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"Trees" is a poem of twelve lines in strict iambic tetrameter. The eleventh, or penultimate, line inverts the first foot, so that it contains the same number of syllables, but the first two are a trochee. The poem's rhyme scheme is rhyming couplets rendered AA BB CC DD EE AA. [20]
Multilingual Multiscript Plant Name Database (MMPND) is a multilingual database of names of taxa of plants. The MMPND is located at the University of Melbourne, where it is managed and maintained by Michel H. Porcher. This database includes the names of taxa of more than 900 genera of higher plants (not counting mushrooms). In addition to the ...
Authors of Plant Names (Brummitt & Powell) by Richard Kenneth Brummitt and C. Emma Powell, 1992, is a print database of accepted standardized abbreviations used for citing the author who validly published the name of a taxon. [1] [2] The database is now maintained online at the International Plant Names Index. [3]
The first page of Ulalume, as the poem first appeared in the American Review in 1847 "Ulalume" (/ ˈ uː l ə l uː m /) is a poem written by Edgar Allan Poe in 1847. Much like a few of Poe's other poems (such as "The Raven", "Annabel Lee", and "Lenore"), "Ulalume" focuses on the narrator's loss of his beloved due to her death.
Myosotis (/ ˌ m aɪ ə ˈ s oʊ t ɪ s / MY-ə-SOH-tiss [3]) is a genus of flowering plants in the family Boraginaceae. The name comes from the Ancient Greek μυοσωτίς "mouse's ear", which the foliage is thought to resemble. [4] In the Northern Hemisphere, they are colloquially known as forget-me-nots or scorpion grasses.
Brown was born in Adams, Massachusetts [1] and had her first poem published in print at age 9. [3] She wrote many children's scientific novels, poems, and periodical articles, [4] many of which surround nature and botany themes. For example, her book The Plant Baby and Its Friends, published in 1898, explains botany like the plant is a child ...
The second stanza can be seen to have been formed from three sets of pairs (6–1, 5–2, 4–3), or two triads (1–2–3, 4–5–6). The 1–2–3 triad appears in its original order, but the 4–5–6 triad is reversed and superimposed upon it.
The poem belongs among Roethke's series of "Greenhouse Poems" the first section of The Lost Son, a sequence hailed as "one of the permanent achievements of modern poetry" [1] and marked as the point of Roethke's metamorphosis from a minor poet into one of "the first importance", [2] into the poet James Dickey would regard among the greatest of ...