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Sadako and the Thousand Paper Cranes (album) Saving Private Ryan (soundtrack) Schindler's List (soundtrack) Short Cuts (soundtrack) Small Soldiers (soundtrack) South Park: Bigger, Longer & Uncut (soundtrack) Space Jam: Music from and Inspired by the Motion Picture; Star Wars: Episode I – The Phantom Menace (soundtrack)
Grusin was the composer for On Golden Pond (1981), Tootsie (1982), and The Goonies (1985). In 1988, he won the Oscar for Best Original Score for The Milagro Beanfield War . Grusin composed the musical signatures for the 1984 TriStar Pictures logo (which was credited at the end of Look Who's Talking Too ) and the 1993 Columbia Pictures ...
Collection is an album by American pianist Dave Grusin released in 1989, recorded for the GRP label. Collection is a retrospective of Grusin's work from 1976–1989 . The album reached No. 3 on Billboard's Contemporary Jazz chart.
The Last Great Wilderness (album) Laurel and Hardy music; Lead Us Not into Temptation; Leningrad Cowboys Go America (album) Lisztomania (album) The Little Vampire (soundtrack) Live 1965: Music from Charlie Is My Darling; Love and a .45 (soundtrack) Love Me or Leave Me (Doris Day album) Love Me Tender (EP) Lullaby of Broadway (album ...
Singles is the soundtrack album of the 1992 film Singles, released on June 30, 1992, almost three months before the film.It is primarily focused on the ascendant Seattle grunge scene of the early 1990s, but also features contributions from past Seattle artists Jimi Hendrix and The Lovemongers (Heart's Ann and Nancy Wilson, the latter of whom was the wife of the film's director Cameron Crowe at ...
South Central (Music from the Original Motion Picture Soundtrack) is the original soundtrack to Stephen Milburn Anderson's 1992 film South Central. It was released on September 18, 1992 via Hollywood Basic and consisted of a blend of hip hop , R&B and soul music.
The tour, which began last week in Denver and visits Los Angeles tonight (Sept. 26), is a reunion of sorts for Marr and the Tim Booth-led James, who formed in Manchester shortly before the Smiths ...
The Vinyl Factory opined, "It may seem like a hodgepodge of quirky film cues, baroque harpsichord bits and lounge (Matt Monro's silky turn on 'On Days Like These'), but this album is really a brilliant mash-up of styles ... There is samba, there is country, there is harpsichord, there are a bunch of blokes shouting in cockney; it's the sounds ...