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Title Director Cast Notes 1959: Aaj Kal: Munawar H. Qasim: Sabiha Khanum, Syed Kamal, Bibbo, Rakshi, Abbas Nausha: Akash Aar Mati: Fateh Lohani: Amin, Prabir Kumar ...
Pakistan's first Oscar submission, The Day Shall Dawn was a co-production between the two halves of what was then a geographically divided Pakistani state (now independent Pakistan and Bangladesh). The movie was filmed in Dhaka, East Pakistan (contemporary Bangladesh) by the East Pakistan Film Development Corporation (EPFDC) by a A.J. Kardar ...
The Day Shall Dawn (Urdu: جاگو ہوا سویرا, Jago Hua Savera) is a 1959 Pakistani Bengali drama film directed by A. J. Kardar.The film was selected as the Pakistani entry for the Best Foreign Language Film at the 32nd Academy Awards, but was not accepted as a nominee.
Nagin is a 1959 Pakistani musical film, directed by Khalil Qaiser and was his first Urdu film as a director. [1]It was produced by Wazir Ali. [2] It stars Neelo in the title role and her first leading role [3] with Rattan Kumar in his first leading role as an adult, so far he had done many acting roles as a child actor both in India and Pakistan.
Neend (transl. Sleep) is a Pakistani drama film directed by Hassan Tariq in his directorial debut and released in 1959. Based on a story and screenplay by Riaz Shahid, the films stars Noor Jehan, Neelo and Aslam Pervaiz with Nighat Sultana, Allauddin and Agha Talish in supporting roles.
This page was last edited on 17 October 2024, at 11:30 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
This page was last edited on 19 September 2024, at 16:34 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The 1954 film Sassi, produced by Eveready Pictures, reached golden jubilee status, and the 1959 film Umar Marvi was the first Pakistani film made in Sindhi. The playback singer Ahmed Rushdi 's career also began during this period, after singing his first song in Bander Road Se Kemari .
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