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L'image-mouvement) (1983) is the first of two books on cinema by the philosopher Gilles Deleuze, the second being Cinema 2: The Time Image (French: Cinéma 2. L'image-temps ) (1985). Together Cinema 1 and Cinema 2 have become known as the Cinema books, the two volumes both complementary and interdependent. [ 1 ]
As David Rodowick writes: 'In the absence of a predetermined trajectory' the image becomes 'what Deleuze calls opsigns and sonsigns, or pure optical and acoustical images.' [3] Deleuze explores opsigns and sonsigns through the cinema of the Italian neorealists and Japanese director Yasujirō Ozu.
Gilles Louis René Deleuze (/ d ə ˈ l uː z / də-LOOZ; French: [ʒil dəløz]; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art.
Works by Gilles Deleuze (18 P) Pages in category "Gilles Deleuze" The following 22 pages are in this category, out of 22 total. This list may not reflect recent ...
Pages in category "Works by Gilles Deleuze" The following 18 pages are in this category, out of 18 total. This list may not reflect recent changes. A. Anti-Oedipus; C.
Philosopher Gilles Deleuze writes in his book Cinema 1: The Movement Image, that High and Low demonstrates the situation-action paradigm in its structure; that is, the second half is a "senseless, brutal action" after the confined and theatrical space of its situational first half.
Gilles Deleuze and Félix Guattari note that deterritorialization and reterritorialization occur simultaneously. The function of deterritorialization is defined as "the movement by which one leaves a territory", also known as a "line of flight", but deterritorialization also "constitutes and extends" the territory itself.
The link to cinema would be smoothly elaborated in Deleuze's The Time-Image (1985). [3] Film scholar Tom Gunning used the term to single out filmmakers that made films simply for the sake of making films; affirming their own marginality without for that matter being antagonistic (see also scholar Meaghan Morris ), devoting themselves to non ...
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