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The stone may be displayed on a rosewood pedestal that has been carved specifically for the stone. The stones are a traditional subject of Chinese paintings. The stones are a traditional subject of Chinese paintings.
It is the normal pedestal for divine figures in Buddhist art and Hindu art, and often seen in Jain art. Originating in Indian art, it followed Indian religions to East Asia in particular. In imperial China, a stone tortoise called bixi was traditionally used as the pedestal for important stele, especially those associated with emperors. [2]
The stone is provided with a wooden base (daiza). The stone is placed in a waterproof tray or bowl of ceramic (水盤 suiban) or bronze (doban). These stones are not just any stones which can be found in nature; they must be expressive stones and have a special shape, color and texture to be categorized as suiseki. There is a distinction ...
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The throne in art evolved to be rather distant from the actual plant. In historic sculpture there is very often a clear dividing line about halfway up; this type is called a "double-lotus" (vishvapadma) pedestal or throne. [14]
The oldest extant bronze and stone lanterns in Japan can be found in Nara. Taima-dera has a stone lantern built during the Nara period, while Kasuga-taisha has one of the following Heian period. [4] During the Azuchi-Momoyama period (1568–1600), stone lanterns were popularized by tea masters, who used them as garden ornaments. [1]
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