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"Signs" is the best known song by the Canadian rock group Five Man Electrical Band. It was written by the band's frontman, Les Emmerson, as he was traveling Route 66 while returning to Los Angeles from Canada and noticed all of the big signs and billboards obscuring his view of the natural scenery.
The song is the third single released from Snoop Dogg's seventh studio album, R&G (Rhythm & Gangsta): The Masterpiece (2004). The song was produced by The Neptunes and features guest appearances by Charlie Wilson and Justin Timberlake. The edited version of the song is used for the 2005 film Guess Who which stars Ashton Kutcher and Bernie Mac ...
Tesla scored a hit with a cover of the song "Signs" on their album Five Man Acoustical Jam in 1990, and in 2005, Fatboy Slim released a single called "Don't Let the Man Get You Down", based mostly on a looped sample from "Signs", specifically the opening line, "And the sign said long-haired freaky people need not apply."
"Born Under a Bad Sign" is a blues song recorded by American blues singer and guitarist Albert King in 1967. Called "a timeless staple of the blues", [ 2 ] the song also had strong crossover appeal to the rock audience with its synchronous bass and guitar lines and topical astrology reference. [ 3 ] "
The lyric that has all the astrology lovers buzzing is her nod to astrological compatibility in the song "Suburban Legends," when she says, 'I had the fantasy that maybe our mismatched star signs ...
'The Sign' really was the sign that that could happen". [60] Annie Zaleski from The A.V. Club wrote that the song "is full of cheerful shade", noting that it combined a "breezy reggae vibe" with 1990s Europop. [61] Bob Waliszewski of Plugged In (publication) noted that the song's lyrics "demonstrate[s] strength in the wake of romantic rejection ...
"Vital Signs" is a song by progressive rock trio Rush from their 8th studio album Moving Pictures. The lyrics of the song are about individuality and the pressures of conforming. [3] The song is heavily influenced by reggae (in the guitar riff) as well as progressive electronica (in its use of sequencers) and the music of the Police. [4]
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