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Paintings by the American artist Georgia O'Keeffe Pages in category "Paintings by Georgia O'Keeffe" The following 22 pages are in this category, out of 22 total.
The Georgia O'Keeffe Home and Studio in Abiquiú was designated a National Historic Landmark in 1998, and is now owned by the Georgia O'Keeffe Museum. [73] A fossilized species of archosaur was named Effigia okeeffeae ("O'Keeffe's Ghost") in January 2006, "in honor of Georgia O'Keeffe for her numerous paintings of the badlands at Ghost Ranch ...
Sky Above Clouds (1960–1977) is a series of eleven cloudscape paintings by the American modernist painter Georgia O'Keeffe, produced during her late period.The series of paintings is inspired by O'Keeffe's views from her airplane window during her frequent air travel in the 1950s and early 1960s when she flew around the world.
The American artist Georgia O'Keeffe is best known for her close-up, or large-scale flower paintings, [1] which she painted from the mid-1920s through the 1950s. [2] She made about 200 paintings of flowers of the more than 2,000 paintings that she made over her career. [3] One of her paintings, Jimson Weed, sold for $44.4 million, making it the ...
A recent study by online art gallery Singulart found that Wisconsin native Georgia O'Keeffe (1887-1986) is the most displayed female artist across American museum art collections.
McNay Art Museum in San Antonio held the "O'Keeffe and Texas" exhibit, curated by art historian Sharyn Udall in 1998 show. [6] In 2016, the Georgia O’Keeffe Museum exhibited some of the works from Palo Duro Canyon in the "Georgia O'Keeffe’s Far Wide Texas" exhibit, the theme of which was "Becoming a Modern Artist". [5]
Dale Kronkright, head of conservation at the Georgia O’Keeffe Museum in Santa Fe, called the job the most massive restoration project he has ever worked on. The painting combines such O’Keeffe ...
In 1930, Georgia O'Keeffe created 54 works, some of which were created in Maine and New York, though the majority were completed in New Mexico. [4] In April of that year, she continued her exploration of natural forms in Maine, expanding on her ongoing shell series first initiated in the 1920s (Shell and Old Shingle I, Shell and Old Shingle VII, 1926; Shell No. 2, 1928) and continuing ...