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Mary Beale (née Cradock) (1633–1699) was an English portrait painter.She was part of a small band of female professional artists working in London. Beale became the main financial provider for her family through her professional work – a career she maintained from 1670/71 to the 1690s. [2]
Study of a Young Woman (also known as Portrait of a Young Woman or Girl with a Veil) [2] [3] is a painting by the Dutch artist Johannes Vermeer, completed between 1665 and 1667, and now in the Metropolitan Museum of Art, New York. The painting was painted around the same time as the better-known Girl with a Pearl Earring and has a near ...
In his times, Pliny complained of the declining state of Roman portrait art, "The painting of portraits which used to transmit through the ages the accurate likenesses of people, has entirely gone out…Indolence has destroyed the arts." [22] [23] These full-face portraits from Roman Egypt are fortunate exceptions. They present a somewhat ...
Allegory of Peace, Art and Abundance; Amor Vincit Omnia (Caravaggio) Annunciation (El Greco, Illescas) Annunciation (El Greco, Prado, 1600) The Apparition of the Virgin to Saint Hyacinth; Assumption of the Virgin (Annibale Carracci, Rome)
Equestrian Portrait of Maria Amalia of Saxony; American Collectors (Fred and Marcia Weisman) Amrita Sher-Gil Self Portrait (1931) Amrita Sher-Gil Self-Portrait 7 (1930) Portrait of My Wife, the Painter Anna Ancher; Antea (Parmigianino) Arab Woman (watercolor) L'Arlésienne (painting) Portrait of the Artist's Mother (Van Gogh)
The subject of the painting remains largely a mystery. In 1671, Giacomo Barri , an artist and writer, referred to the woman as "Antea", the name of a famous 16th-century Roman courtesan, and stated she was the artist's mistress. [ 1 ]
Image credits: Photoglob Zürich "The product name Kodachrome resurfaced in the 1930s with a three-color chromogenic process, a variant that we still use today," Osterman continues.
Of a study that Van Gogh made for Girl in a Wood or Girl in White in the Woods, [10] he remarked at how much he enjoyed the work and explains how he wishes to trigger the audience's senses and how they may experience the painting: "The other study in the wood is of some large green beech trunks on a stretch of ground covered with dry sticks ...