Search results
Results from the WOW.Com Content Network
Times New Roman is a serif typeface commissioned for use by the British newspaper The Times in 1931. ... Morison edited the History of the Times from 1935 to 1952, ...
Victor Lardent (1905–1968) was a British advertising designer and draftsman at The Times in London. He created the typeface Times New Roman under the artistic direction of Stanley Morison in 1931, which is commonly used in Microsoft Word. [1]
Times New Roman, a modern example of a transitional serif design. Transitional, or baroque, serif typefaces first became common around the mid-18th century until the start of the 19th. [ 36 ] They are in between "old style" and "modern" fonts, thus the name "transitional".
It is the period in which Greek and Roman society flourished and wielded great influence throughout Europe, North Africa and the Middle East. Post-classical history – Period of time that immediately followed ancient history. Depending on the continent, the era generally falls between the years AD 200–600 and AD 1200–1500.
Times New Roman, the development of which Morison led to the point that he felt he could consider it his own design, has become one of the most used typefaces of all time. Becoming closely connected to The Times newspaper as an advisor on printing, he became part of its management and the editor of the Times Literary Supplement after the war ...
Times New Roman made its debut in the issue of 3 October 1932. [104] After one year, the design was released for commercial sale. The Times stayed with Times New Roman for 40 years, but new production techniques and the format change from broadsheet to tabloid in 2004 have caused the newspaper to switch typeface five times since 1972. However ...
Plantin was the basis for the general layout of Monotype's most successful typeface of all, Times New Roman. [27] [28] Times is similar to Plantin but "sharpened" or "modernised", with increased contrast (particularly resembling designs from the eighteenth and nineteenth century) and greater "sparkle". [29] [30] [31] Allan Haley commented that ...
Typeface remains the groundwork for design concepts. The hallmark of early modern typography is the sans-serif typeface. "Because of its simplicity, the even weight of its lines, and its nicely balanced proportions, sans serif forms pleasing and easily distinguished word patterns — a most important element in legibility and easy reading."