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Tint, shade and tone. In color theory, a tint is a mixture of a color with white, which increases lightness, while a shade is a mixture with black, which increases darkness. Both processes affect the resulting color mixture's relative saturation. A tone is produced either by mixing a color with gray, or by both tinting and shading. [1]
Pink is any of a number of similar colors evoked by light, consisting predominantly of a combination of both the longest and shortest wavelengths discernible by the human eye, in the wavelength ranges of roughly 625–750 nm and 380-490 nm. v. t. e. Shades of pink. Amaranth. Amaranth pink. Baker-Miller pink. Barbie Pink.
In the traditional RYB color model, the complementary color pairs are red – green, yellow – purple, and blue – orange. Opponent process theory suggests that the most contrasting color pairs are red–green and blue–yellow. The black - white color pair is common to all the above theories.
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Possible lightness values are 15% through 90% in steps of 5% for monochromatic shades of grey (i.e. C = 0%) and 20% through 90% in steps of 10% and additionally 85% and 93%. Chroma values are also mostly confined to steps of 10% or 5%, but with some exceptions, and the maximum value varies.
Color scheme. In color theory, a color scheme is a combination of 2 or more colors used in aesthetic or practical design. Aesthetic color schemes are used to create style and appeal. Colors that create a harmonious feeling when viewed together are often used together in aesthetic color schemes. Practical color schemes are used to inhibit or ...
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