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Mark Fisher (11 July 1968 – 13 January 2017), also known under his blogging alias k-punk, was an English writer, music critic, political and cultural theorist, philosopher, and teacher based in the Department of Visual Cultures at Goldsmiths, University of London.
Capitalist Realism: Is There No Alternative? is a 2009 book by British philosopher Mark Fisher.It explores Fisher's concept of "capitalist realism", which he describes as "the widespread sense that not only is capitalism the only viable political and economic system, but also that it is now impossible even to imagine a coherent alternative to it."
"Exiting the Vampire Castle" is an essay written by the English theorist Mark Fisher for the online publication The North Star in 2013. It argues for increased leftist solidarity by departing from the phenomenon of online callout culture to instead orient activity around organization of efforts around the accountability of one's economic class, rather than around traits in identity and culture.
Those who were affiliated with the CCRU during and after its time as part of the University of Warwick Philosophy department include philosophers Stephen Metcalf, Iain Hamilton Grant, Ray Brassier and Reza Negarestani; cultural theorists Mark Fisher and Kodwo Eshun; publisher and philosopher Robin Mackay; digital media theorists Luciana Parisi ...
Mark Fisher, a British cultural theorist and student of Land's, argued in 2011 that Land's greatest impact so far had been on music and art, rather than on philosophy. The musician Kode9 , the artist Jake Chapman , and others studied with or describe their influence by Land, often highlighting Land's inhuman, "technilist," or "delirious" qualities.
Trump, in a social media post Wednesday, praised the activist, Mark Fisher, as a “great guy” and said he was “very honored to have his and BLM’s support.” Fisher said he is the co ...
In a joint statement with the Black Lives Matter Rhode Island Political Action Committee – which is fully separate from BLM RI – the two groups accused Mark Fisher of an attention grab. "This ...
Writers such as Mark Fisher and Simon Reynolds used the term to describe a musical aesthetic preoccupied with this temporal disjunction and the nostalgia for "lost futures". [4] So-called "hauntological" musicians are described as exploring ideas related to temporal disjunction, retrofuturism, cultural memory, and the persistence of the past ...