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A monstrance, also known as an ostensorium (or an ostensory), [1] is a vessel used in Roman Catholic, Old Catholic, High Church Lutheran and Anglican churches for the display on an altar of some object of piety, such as the consecrated Eucharistic Sacramental bread (host) during Eucharistic adoration or during the Benediction of the Blessed Sacrament.
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The Disputation of the Sacrament (Italian: La disputa del sacramento), or Disputa, is a painting by the Italian Renaissance artist Raphael.It was painted between 1509 and 1510 [1] as the first part of Raphael's commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican.
La Lechuga (English: The Lettuce) is a monstrance made between 1700 and 1707 by José de Galaz for the San Ignacio Church of Bogotá, then part of the New Kingdom of Granada. [1] It was paid for by a group of Jesuits , probably in order to hide the gems contained in it from the Spanish Crown. [ 2 ]
The Belém Monstrance (Portuguese: Custódia de Belém) is a significant monstrance made of gold and polychrome enamels. It is probably the most famous work by a Portuguese goldsmith, and is much-admired for its historical importance and artistic merit. [ 1 ]