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Rear Window is a 1954 American mystery thriller film directed by Alfred Hitchcock and written by John Michael Hayes based on Cornell Woolrich's 1942 short story It Had to Be Murder. Originally released by Paramount Pictures , the film stars James Stewart , Grace Kelly , Wendell Corey , Thelma Ritter , and Raymond Burr .
Stewart,_Kelly_&_Hitchcock_Rear_Window.jpg (499 × 371 pixels, file size: 112 KB, MIME type: image/jpeg) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
A related line of smaller, simpler cameras was the "Exa" line; these, too, existed in several variations. The Beseler Topcon line of 35mm cameras used the same lens mount as the Exakta. In the early 1970s, the Exakta "RTL 1000" was introduced; it accepted the older models' lenses, but had its own range of viewfinders, which included a model ...
Stewart as news photographer Jeffries in Rear Window (1954) Stewart's screen persona was that of an "everyman", an ordinary man placed in extraordinary circumstances. Audiences could identify with him, in contrast to other Hollywood leading men of the time, such as Cary Grant, who represented what the audience wanted to become. [365]
Alfred Hitchcock's Rear Window, for example, makes frequent use of eyeline matches. The main character, played by James Stewart, is confined to his apartment and often looks out its rear window at events in the buildings across from him. Hitchcock frequently cuts from Stewart looking off-screen to various people and events that are assumed to ...
In Rear Window (1954), after L. B. Jeffries (played by James Stewart) has been staring across the courtyard at him for most of the film, Lars Thorwald (played by Raymond Burr) confronts Jeffries by saying, "What do you want of me?" Burr might as well have been addressing the audience.
Hitchcock moved to Paramount Pictures and filmed Rear Window (1954), starring James Stewart and Grace Kelly, as well as Thelma Ritter and Raymond Burr. Stewart's character is a photographer named Jeff (based on Robert Capa) who must temporarily use a wheelchair. Out of boredom, he begins observing his neighbours across the courtyard, then ...
Stewart made his mark in screwball comedies, suspense thrillers, westerns and family comedies. [1] He worked multiple times with directors, such as Anthony Mann (Winchester '73, Bend of the River, Thunder Bay, The Naked Spur, The Glenn Miller Story, The Far Country, The Man from Laramie and Strategic Air Command), Alfred Hitchcock (Rope, Rear Window, The Man Who Knew Too Much and Vertigo ...