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Setting may refer to the social milieu in which the events of a novel occur. [3] [4] The elements of the story setting include the passage of time, which may be static in some stories or dynamic in others with, for example, changing seasons. A setting can take three basic forms. One is the natural world, or in an outside place.
Though the books of Forrest Reid (1875–1947) are not well known today, he has been labelled 'the first Ulster novelist of European stature', and comparisons have been drawn between his own coming of age novel of Protestant Belfast, Following Darkness (1912), and James Joyce's seminal novel of growing up in Catholic Dublin, A Portrait of the Artist as a Young Man (1916).
A text must necessarily be thought of as incomplete, indeed as missing something crucial that provides the mechanics of understanding. The text is always partially hidden; one word for the hidden part in literary theory is the subtext. [7] The concept of the text in structuralism requires a relatively simple relationship between language and ...
At school he showed a talent for writing and went on to read English at Queen's University Belfast where he won a number of prizes for literary essays, graduating in 1931. [2] On completion of his degree, he entered Presbyterian Theological College and was ordained as a Presbyterian minister in 1935.
In the field of literary theory, geocriticism is an interdisciplinary method of literary analysis that focuses not only on such temporal data as relations between the life and times of the author (as in biographical criticism), the history of the text (as in textual criticism), or the story (as studied by narratology), but also on spatial data.
From Irish loca meaning "a pile of" or "a wad of", or simply an extended meaning of "lock" as in "a lock of hair". loch, lough: lake/sea inlet noun: Pronounced lokh. From Irish loch. lug: ear noun: From Scots. Originally from Norse, used to mean "an appendage" (cf. Norwegian lugg meaning "a tuft of hair"). Used throughout Scotland & Ireland ...
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The defining features of a literary work do not reside in extraliterary conditions such as history or sociocultural phenomena under which a literary text might have been created, but in the form of the language that is used. Thus, literariness is defined as being the feature that makes a given work a literary work.