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Lam's Zambezia, Zambezia, oil on canvas, 1950, Solomon R. Guggenheim Museum. Wifredo Óscar de la Concepción Lam y Castilla (Chinese: 林飛龍; Jyutping: lam4 fei1lung4; December 8, 1902 – September 11, 1982), better known as Wifredo Lam, was a Cuban artist who sought to portray and revive the enduring Afro-Cuban spirit and culture. [1]
A gallery devoted to the 1970s is marked by a preponderance of Hyperrealism and the latest generation of Cuban artists whose works all reflect the strong symbolic imagery that has been prevalent in recent [when?] decades. The most notable works are those of René Portocarrero and Wifredo Lam. A modernist sculpture by the noted Cuban artist Rita ...
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The landscape, flora, fauna, and lore of the island, as well as its peasants - the often neglected foundation of Cuba's soul and economy - emerged in its art. [14] Wifredo Lam (1902 - 1982), a Cuban of Chinese, Spanish, and African ancestry, had little direct involvement with the Havana Vanguardia, but was of the same generation and had similar ...
The Salón de Mayo (May Salon) was an art exhibition held in Havana, Cuba, in July 1967. It took its name from the Salon de Mai, an artists collective founded during the Nazi occupation of France. It was organized by Carlos Franqui with the assistance of such artists as Wifredo Lam, René Portocarrero, Alexander Calder, Joan Miró, Pablo Picasso.
Gerard de Lairesse (1640–1711), Dutch painter and art theorist; Wifredo Lam (1902–1982), Cuban/French painter; Henry Lamb (1883–1960), English painter and physician; George Lambourn (1900–1977), English artist; Aleksandr Ivanovich Laktionov (1910–1972), Soviet painter; Lam Qua (林官, 1801–1860), Chinese portrait painter
A Bofors Gun, Algiers, Henry Carr. Constantin Brâncuși – The Seal (sculpture, Musée National d'Art Moderne, Paris); Paul Cadmus – The Shower; Salvador Dalí – Geopoliticus Child Watching the Birth of the New Man
Notable among the artists of the Négritude movement is the Cuban artist Wifredo Lam who was associated with Picasso and the surrealists in Paris, in the 1930s. [24] On returning to Cuba in 1941, Lam was emboldened to create dynamic tableaux that integrated human beings, animals, and Nature.
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