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Laura Mulvey (born 15 August 1941) [1] is a British feminist film theorist and filmmaker. She was educated at St Hilda's College, Oxford . She is currently professor of film and media studies at Birkbeck, University of London .
As discussed in Laura Mulvey's essay "Visual Pleasure and Narrative Cinema," [26] within the film and media sphere, men make up the majority of directors, cinematographers, and camera crew, limiting the aspects in which the female gaze gets produced," the underrepresentation of the female perspective on screen is tied to the female ...
Feminist film theory is a theoretical film criticism derived from feminist politics and feminist theory influenced by second-wave feminism and brought about around the 1970s in the United States. With the advancements in film throughout the years feminist film theory has developed and changed to analyse the current ways of film and also go back ...
The oppositional gaze is direct rejection of Laura Mulvey's Visual Pleasure and Narrative Cinema (1975). [1] Mulvey's text analyses Lacan's mirror stage within film, concluding that subjectivity is "the birth of the long love affair/ despair between image and self-image which has found such intensity of expression in film and such joyous recognition in the cinema audience". [3]
In her writing on feminist film theory, Mulvey has argued that, if the dominant cinema produces pleasure through scopophilia which favours the male gaze and festishization of woman as object, then alternative versions of cinema need to construct different forms of pleasure based on psychic relations that adopt a feminist perspective. [4]
The film has made a deep impression on moviegoers like Xiao Weijia, 23, who freelances in graphic design in the eastern province of Shandong. “I was told that I couldn’t become a photographer ...
The concept was first articulated by British feminist film theorist Laura Mulvey in her 1975 essay, "Visual Pleasure and Narrative Cinema". Mulvey's theory draws on historical precedents, such as the depiction of women in European oil paintings from the Renaissance period, where the female form was often idealized and presented from a ...
Prominent feminist film theorist Laura Mulvey. Feminist film theorist Laura Mulvey writes that in film, women are passive objects of the male gaze. [22] Mulvey writes that movies fulfill "a primordial wish for pleasurable looking," and that male audiences are largely catered to in the film industry. [22]