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The poem uses figurative language including onomatopoeia, alliteration, imagery, and many others. Harold Bloom noted that it is "one of Frost's most respected poems, but it has not received the same depth of critical attention and explication as poems such as 'The Road Not Taken' and 'Stopping by Woods on a Snowy Evening.'" [5]
Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, euphony and cacophony, onomatopoeia, rhythm (via metre), and sound symbolism, to produce musical or other artistic effects. They also frequently organize these effects intos ...
Euphony–A series of musically pleasant sounds that give the poem a melodious quality, conveying a sense of harmony to the reader. Onomatopoeia–It is used in poetry to create aural effects that mimic the visual image described. A combination of words may be used to create an onomatopoetic effect.
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.
The poem makes extensive use of onomatopoeia and a simile that compares the behaviour of the amphibians to warfare ("Some sat poised like mud grenades") amongst other techniques. "Mid-Term Break" is a reflection on the death of Heaney's younger brother, Christopher, while Heaney was at school. [ 2 ]
"The Bells" is a heavily onomatopoeic poem by Edgar Allan Poe which was not published until after his death in 1849. It is perhaps best known for the diacopic use of the word "bells". The poem has four parts to it; each part becomes darker and darker as the poem progresses from "the jingling and the tinkling" of the bells in part 1 to the ...
Alliteration is used in the alliterative verse of Old English poems like Beowulf, Middle English poems like Sir Gawain and the Green Knight, Old Norse works like the Poetic Edda, and in Old High German, Old Saxon, and Old Irish. [3] It was also used as an ornament to suggest connections between ideas in classical Latin, Greek, and Sanskrit poetry.
Critic Charles R. Anderson, in Emily Dickinson's Poetry: Stairway of Surprise, claimed it was Dickinson's "finest poem on despair." [15] Similarly, Inder Nath Kher, in The Landscape of Absence: Emily Dickinson’s Poetry, lauds it as one of Emily Dickinson's best poems and a well-balanced expression of absence and presence. [16]