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The film and music industry had already begun to shift to Hong Kong in the '40s, and by the 1950s Hong Kong had become the centre of the entertainment industry. [1] While some of the seven continued to perform for many years, Zhou Xuan died in 1957, Yoshiko retired from entertainment in 1958, and Bai Guang stopped recording in 1959. [citation ...
People's Republic of China: Baak Doi leaves China in 1952 and relocates to Hong Kong. Mao Zedong and CCP evolved patriotic music into revolutionary music. Hong Kong: Continuation of Shidaiqu in Hong Kong. Republic of China / Taiwan: Development of Taiwanese mandopop. Native Hokkien pop phased out by Kuomintang in favor of mandopop.
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Chinese contemporary classical opera (Chinese: 当今古典歌剧; pinyin: dāngjīn gǔdiǎn gējù; lit. 'contemporary classical singing drama') is a Chinese-language musical art form drawing on western opera traditions - distinct from modern developments of traditional Chinese opera.
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Pages in category "1950s in China" The following 29 pages are in this category, out of 29 total. This list may not reflect recent changes. 0–9. 1950 in China;
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