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Additionally, the auction recording is on Ampex tape, which was not in use in 1962. It has not been firmly ascertained whether the original master tape recorded by Decca on 1 January 1962 is in the possession of the Beatles' Apple Corps Ltd. A copy of the tape, used by bootleggers for the past forty years, is in the hands of a private collector.
The Beatles' discography was originally released on the vinyl format, with full-length long plays (LPs), shorter EPs and singles. Over the years, the collection has also been released on cassette , 8-track , compact disc (CD), on a USB flash drive in MP3 and 24-bit FLAC format, and on digital media streaming services.
According to EMI, the series was a re-promotion rather than a reissue campaign, since all the Beatles' singles had remained in print and were widely available. [5] The project resulted from the success of the 1973 double-album sets 1962–1966 and 1967–1970, [6] which the former Beatles had endorsed, and which contained all of their British single A-sides and double A-side tracks. [7]
The Beatles landed at JFK Airport on February 7, 1964, greeted by 3,000 of the fans that had sent “I Want To Hold Your Hand” to the top of the Hot 100, and America’s love affair with the Fab ...
A soundtrack album from the film was released digitally and on streaming platforms on 22 November 2024, a week prior to the documentary's release. The album contains studio recordings by the Beatles of songs featured in the film, as well as the original versions of tracks covered by the Beatles (e.g., the Chuck Berry recording of " Roll Over ...
"Like Dreamers Do" is a song written by Paul McCartney in 1959 [1] and is one of the earliest written songs credited to Lennon–McCartney. It was most notably performed by the Beatles at their unsuccessful 1 January 1962 audition for Decca Records. [2]
2. "Come and Get It" by Badfinger. 1969 Written and produced by Paul McCartney, this song became a top 10 hit for Badfinger, a band signed to the Beatles’ Apple label.
The Beatles did not pass the audition, but their manager, Brian Epstein, kept the reel-to-reel tapes to present to other record producers. Epstein arranged for the recordings to be pressed onto monoacetate discs, one of which was later heard by Parlophone producer George Martin , who offered them an audition which would turn out to be successful.
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