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Call and response is a form of interaction between a speaker and an audience in which the speaker's statements ("calls") are punctuated by responses from the listeners. [1] This form is also used in music, where it falls under the general category of antiphony .
In Sub-Saharan African cultures, call and response is a pervasive pattern of democratic participation—in public gatherings in the discussion of civic affairs, in religious rituals, as well as in vocal and instrumental musical expression. Most of the call and response practices found in modern culture originated in Sub-Saharan Africa. [3]
Call and response arose as sometimes a lone caller would be heard and answered with another laborer's holler from a distant field. Some street cries might be considered an urban form of holler, though they serve a different function (like advertising a seller's product); an example is the call of ‘The Blackberry Woman’, Dora Bliggen, in New ...
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Call + Response led to the formation of Fair Trade Fund, Inc., d.b.a. Made In A Free World, a non-profit organization dedicated to ending modern-day slavery. All profits from Call + Response , such as from sales of the DVD, soundtrack, and iTunes downloads, are used to support Made In A Free World's projects, aimed at disrupting the business of ...
The response has surpassed her expectations. “I have had some parents tell me that their kids have come home singing it and that it’s been such a fun way of learning,” McPeek notes.
The Wikipedia entry for Antiphon defines that term in terms of call and response music or chant, and it gives examples from the Hebrew psalms. Doing these as responsive readings is very common, but the Responsive reading Wikipedia page focuses is on the older traditional Christian liturgy.
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