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Karl Rudolph Free (May 16, 1903 – February 16, 1947) was an American artist and museum curator, best known for his New Deal-era post office murals.. Many of his surviving works on paper are circus scenes in watercolor.
Collectively, the artists of the New Deal produced a vast archive: Murals, including 1,100 post office murals , [6] free-standing and bas relief sculpture, an estimated 30,000 posters, [7] more than 700 books and pamphlets and radio scripts, [8] and architectural details for scores of public buildings, in a style now called WPA Moderne. [9]
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Murals produced through the Treasury Department's Section of Painting and Sculpture (1934–1943) were funded as a part of the cost of the construction of new post offices, with 1% of the cost set aside for artistic enhancements. [4] Murals were commissioned through competitions open to all artists in the United States. [5]
The current exhibitions primarily feature prints and posters, but a significant aspect of his influence stems from murals produced in collaboration with the UC Davis mural class. When questioned about having gallery representation, Montoya replied, "My gallery extends from Lake Merritt to 87th Street (in Oakland).
The best known of Raymond Wintz’s paintings is The Blue Door, which is still sold as a poster and print. It is believed to have been painted in 1924 and the French title, which appears on some older prints, is Un coin du port a Doelan. It contains many of his typical themes and motifs: a partially seen room with an open door to a balcony ...
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