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Sgraffito (Italian: [zɡrafˈfiːto]; pl. sgraffiti) is an artistic or decorative technique of scratching through a coating on a hard surface to reveal parts of another underlying coating which is in a contrasting colour.
Joseph Slawinski (November 27, 1905 - 1983) was a noted sgraffito artist and sculptor. A professor at the Fine Arts Academy in Warsaw, he emigrated to the United States in the early 60s and worked extensively in western New York.
Sgraffito, a decorative technique of partially scratching off a top layer of plaster or some other material to reveal a differently colored material beneath, is also sometimes known as "graffito". Categories
Sumner experimented with sgraffito, a technique of incising designs in coloured plaster. He started by decorating the houses of his relatives, and later his narrative designs and ornamental patterns covered the walls of several Victorian churches and chapels in the British Isles: from the Church of St Mary the Virgin, Llanfair Kilgeddin (1887 ...
This caught the attention and admiration of factory owner Wilhelm Odelberg, who decided to have the factory mass-produce sgraffito-decorated pottery. [4] Most of Ekberg's pottery was decorated using either the sgraffito technique or with a luster glaze. His designs usually included vines, flowers, and other organic imagery.
Kut-kut, a lost art of the Philippines, employs sgraffito and encaustic techniques. It was practiced by the indigenous tribe of Samar island around 1600 to 1800. [7] Artists in the Mexican muralism movement, such as Diego Rivera, [8] Fernando Leal (artist) and Jean Charlot [9] sometimes used encaustic painting.
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Graffiti (singular graffiti or graffito, the latter only used in graffiti archeology) is writing or drawings made on a wall or other surface, usually without permission and within public view.
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