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Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in the United States, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period.
Modern furniture. Modern furniture refers to furniture produced from the late 19th century through the present that is influenced by modernism. Post- World War II ideals of cutting excess, commodification, and practicality of materials in design heavily influenced the aesthetic of the furniture. It was a tremendous departure from all furniture ...
Transitional Style. In interior design and furniture design, Transitional Style refers to a contemporary style mixing traditional and modern styles, incorporating old world traditional and the world of chrome and glass contemporary.
Art Nouveau furniture. Furniture created in the Art Nouveau style was prominent from the beginning of the 1890s to the beginning of the First World War in 1914. It characteristically used forms based on nature, such as vines, flowers and water lilies, and featured curving and undulating lines, sometimes known as the whiplash line, both in the ...
Calvin Klein Madison Avenue, New York, 1995–96, is a boutique that conveys Calvin Klein's ideas of fashion. John Pawson's interior design concepts for this project are to create simple, peaceful and orderly spatial arrangements. He used stone floors and white walls to achieve simplicity and harmony for space.
As of 1891, Widdicomb Furniture Company shipped products throughout the United States. Their focus products included bed frames, chiffoniers, and bedroom furniture of various kinds made of oak, ash, birch and maple. [1] They also manufactured mirrors, nightstands, wardrobes, and other bedroom furniture. In 1906, pieces were designed in the ...
The dragon is the symbol of earth fertility, and of the power and wisdom of the emperor. Lacquers are mostly populated with princesses, various Chinese people, soldiers, children, ritually and daily scenes. Architectural features tend toward geometric ornaments, like meanders and labyrinths. The interior of a Chinese house was simple and sober.
The design of the scallop shell back for chairs is associated with the designer Francis Cleyn who worked in England from the 1620s. [2] Settees were made at this time whose backs consisted of several just such immense scallops as those of these Holland House Gilt Chamber chairs; [ 3 ] and the same idea of decoration peeps out in fan-like frills ...
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