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Sri Krishna Kirtana consists of 418 Bengali padas (verses) and 133 (total 161, 28 shlokas are repeated twice) Sanskrit shlokas, which were also probably composed by the poet. [1] Among these 418 verses, 409 verses have the name of the author in them.
Ramprasad Sen was the first shakta poet to address Kali with such as intimate devotion and to sing of her as a tender loving mother or even as a little girl. He is credited with creating a new compositional form that combined the Bengali folk style of Baul music with classical melodies and kirtan.
One important promoter of Vaishnava kirtan in Bengal was Chandidas (1339–1399), who introduced Vaishnava kirtan in Bengali and was very influential on later Vaishnava northern kirtan. [32] Chandidas was instrumental in the Bengali Vaiṣṇava Sahajiyā tradition, a form of tantric Vaishnavism focused on Radha and Krishna which flourished in ...
Ramprasad created a new compositional form that combined the Bengali folk style of Baul music with classical melodies and kirtan. This new form took root in Bengali culture for the next hundred and fifty years, with hundreds of poet-composers combining folk and raga-based melodies, and bringing together styles of music that included classical ...
Hare Krishna (Maha Mantra) in the Bengali language. The Hare Krishna mantra, also referred to reverentially as the Mahā-mantra (lit. ' Great Mantra '), is a 16-word Vaishnava mantra mentioned in the Kali-Saṇṭāraṇa Upaniṣad. [1] In the 15th century, it rose to importance in the Bhakti movement following the teachings of Chaitanya ...
Nagar Kirtan of Chaitanya Mahaprabhu. In Hinduism, Bengali saint Chaitanya Mahaprabhu [3] propagated ideas of bhakti, or devotion to a personal God, through kirtan (collective recitation of hymns) and nagar kirtan (kirtan the in form of religious processions), [4] and is credited in the Vaishnava tradition with introduction of the custom. [5]
It was based and influenced by the Vaishnavite song Harinaam Diye Jagat Matale Amar Ekla Nitai Re, which was a popular Bengali Kirtan song of Dhapkirtan [1] or Manoharshahi gharana [3] praising Nityananda, disciple of Chaitanya Mahaprabhu. [1] Ekla Chalo Re was incorporated in the "Swadesh" (Homeland) section of Tagore's lyrical anthology ...
Vaishnava padavali left a lasting mark on Bengali literature. Among others, Rabindranath Tagore was deeply impressed by the works of Govindadas, and wrote many Vaishnava and Baul pieces. His opera Bhanusingher Padavali was composed in the Brajabuli language and included the song Sundari Radhe Awe Bani written by Govindadas .