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Apart from jewels and embroidery, small enamelled plaques were sewn into the clothes; the dress of Manuel I Comnenus was described as being like a meadow covered with flowers. Generally sleeves were closely fitted to the arm and the outer dress comes to the ankles (although often called a scaramangion), and is also rather closely fitted.
Muslins were originally made of cotton only. These were very thin, transparent, delicate and feather light breathable fabrics. There could be 1000–1800 yarns in warp and weigh 110 g (3.8 oz) for 0.91 m × 9.14 m (1 yd × 10 yd). Some varieties of muslin were so thin that they could even pass through the aperture of a lady's finger-ring.
Clothing was a target in some street robberies, and in thefts from the public baths; [83] it was re-sold and recycled down the social scale, until it fell to rags; even these were useful, and centonarii ("patch-workers") made a living by sewing clothing and other items from recycled fabric patches. [84]
Clothing for adult women remained unchanged over several millennia, save for small details. Draped clothes with very large rolls gave the impression of wearing several items. [7] It was in fact a hawk, often of very fine muslin [dubious – discuss]. The dress was rather narrow and even constricting, made of white or unbleached fabric for the ...
The new fashion trends introduced during this era had a greater impact on society, affecting not only royalty and aristocrats, but also middle and even lower classes. Clothing during this time can be characterized by soft pastels, light, airy, and asymmetrical designs, and playful styles.
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