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In modern Italian, all the basic prepositions except tra, fra, con and per have to be combined with an article placed next to them. Of these, con and per have optional combining forms: col, collo, colla, coll', coi, cogli, colle ; pel, pello, pella, pell', pei, pegli, pelle ; except for col and coi , which are occasionally used, however, these ...
With; used in very many musical directions, for example con allegrezza (with liveliness), con calma (calmly lit. ' with calm '); (see also col and colla) con dolcezza See dolce con sordina or con sordine (plural) With a mute, or with mutes. Frequently seen in music as (incorrect Italian) con sordino, or con sordini (plural). concerto
Cancels col legno and pizzicato. (In any string passage, arco is usually expected, as it is the "default" approach; it is only ever written at the end of col legno or pizzicato passages.) Arpeggio: harp-like: A chord with the notes spread out in time (rather than sounded simultaneously) Basso continuo: continuous bass
The percussive sound of battuto has a clear pitch element determined by the distance of the bow from the bridge at the point of contact. As a group of players will never strike the string in exactly the same place, the sound of a section of violins playing col legno battuto is dramatically different from the sound of a single violin doing so.
The Langkofel Group in the Dolomites of the Italian Alps, with the clearly visible Langkofel Col (Langkofelscharte) left of centre. A col in geomorphology is the lowest point on a mountain ridge between two peaks. [1] It may also be called a gap or pass. [1] Particularly rugged and forbidding cols in the terrain are usually referred to as notches.
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Italian verbs have a high degree of inflection, the majority of which follows one of three common patterns of conjugation. Italian conjugation is affected by mood, person, tense, number, aspect and occasionally gender. The three classes of verbs (patterns of conjugation) are distinguished by the endings of the infinitive form of the verb: