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This category contains articles about novels which use a third-person narrative structure; a mode of storytelling in which the narration refers to all characters with third person pronouns like he, she, or they, and never first- or second-person pronouns. The narrator can be omniscient or limited
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This category contains articles about novels which use multiple narrative point of views, i.e. alternating between different first-person narrators or alternating between a first- and a third-person narrative mode.
In narratology, focalisation is the perspective through which a narrative is presented, as opposed to an omniscient narrator. [1] Coined by French narrative theorist Gérard Genette, his definition distinguishes between internal focalisation (first-person) and external focalisation (third-person, fixed on the actions of and environments around a character), with zero focalisation representing ...
Title page of Aphra Behn's early epistolary novel, Love-Letters Between a Nobleman and His Sister (1684). There are two theories on the genesis of the epistolary novel: The first claims that the genre originated from novels with inserted letters, in which the portion containing the third-person narrative in between the letters was gradually reduced. [5]
Commentarii de Bello Gallico (Classical Latin: [kɔm.mɛnˈtaː.ɾi.iː deː ˈbɛl.loː ˈɡal.lɪ.koː]; English: Commentaries on the Gallic War), also Bellum Gallicum (English: Gallic War), is Julius Caesar's firsthand account of the Gallic Wars, written as a third-person narrative.
Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]