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Beatrice "Bice" di Folco Portinari [1] (Italian: [beaˈtriːtʃe portiˈnaːri]; 1265 – 8 or 19 June 1290) was an Italian woman who has been commonly identified as the principal inspiration for Dante Alighieri's Vita Nuova, and is also identified with the Beatrice who acts as his guide in the last book of his narrative poem the Divine Comedy (La Divina Commedia), Paradiso, and during the ...
Elizabeth Kerr Coulson (c. 1819 – 23 January 1876) was an English novelist who published under the pseudonym Roxburghe Lothian.Her two-volume work of historical fiction, Dante and Beatrice from 1282 to 1290: A Romance, was published only three weeks before her death.
Dante and Beatrice may refer to: Dante Alighieri and Beatrice Portinari; Dante et Béatrice, an 1890 opera by Benjamin Godard to a libretto by Édouard Blau; Dante and Beatrice from 1282 to 1290: A Romance, a work of historical fiction by Elizabeth Kerr Coulson; Dante and Beatrice, by Henry Holiday, 1883; Dante and Beatrice, a painting by John ...
Beatrice for Dante was the embodiment of this kind of love—transparent to the Absolute, inspiring the integration of desire aroused by beauty with the longing of the soul for divine splendor. [2] The first full translation into English was published by Joseph Garrow in 1846. [3]
Dante himself tells us that the prose of the Convivio is "temperate and virile," in contrast to the "fervid and passionate" prose of the Vita Nova; and that while the approach to this in the work of his youth was "like dreaming" the Convivio approaches it subjects soberly and wide awake, often modeling its style on Scholastic authors.
Dante is depicted (bottom, centre) in Andrea di Bonaiuto's 1365 fresco Church Militant and Triumphant in the Santa Maria Novella church, Florence. In 1373, a little more than half a century after Dante's death, the Florentine authorities softened their attitude to him and decided to establish a department for the study of the Divine Comedy.
Paradiso (Italian: [paraˈdiːzo]; Italian for "Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio.It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology.
Beatrice had been moved to aid Dante by the Virgin Mary (symbolic of compassion) and Saint Lucia (symbolic of illuminating Grace). Rachel, symbolic of the contemplative life, also appears in the heavenly scene recounted by Virgil. The two of them then begin their journey to the underworld. Feeling uncertain of his worthiness for the journey ...
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