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The surviving autograph manuscript of the sonatas and partitas was made by Bach in 1720 in Köthen, where he was Kapellmeister.As Christoph Wolff comments, the paucity of sources for instrumental compositions prior to Bach's period in Leipzig makes it difficult to establish a precise chronology; nevertheless, a copy made by the Weimar organist Johann Gottfried Walther in 1714 of the Fugue in G ...
A Stradivarius bow, The King Charles IV Violin Bow attributed to the Stradivari Workshop, is currently in the collection of the National Music Museum Object number: 04882, at the University of South Dakota in Vermillion, South Dakota. The Rawlins Gallery violin bow, NMM 4882, is attributed to the workshop of Antonio Stradivari, Cremona, c. 1700 ...
They include a violin made in 1714, [2] a violin made in 1720, [3] and the General Kyd; ex-Stern Stradivarius cello made in 1684. [4] These instruments have been owned and played by some of the world's leading musicians. The 1714 violin was owned from about 1980 to 1990 by Itzhak Perlman, who made most of his early recordings using this instrument.
Vivaldi's violin concerto in D major, RV 208, survives in three manuscripts: [6] [7] Vivaldi's autograph score, conserved in Turin. A copy of the parts, conserved in the Landesbibliothek Mecklenburg-Vorpommern Günther Uecker in Schwerin. [3] [4] Another copy of the parts conserved in Cividale del Friuli. [4]
BWV 1020 – Sonata in G minor for violin (or flute) and harpsichord (now attributed to Carl Philipp Emanuel Bach – H 542.5) [3] BWV 1021 – Sonata in G major for violin and basso continuo; BWV 1022 – Sonata in F major for violin and harpsichord (doubtful, possibly by C. P. E. Bach) [3] BWV 1023 – Sonata in E minor for violin and basso ...
Bach extracted the second movement from his Sonata No. 1 in G minor for solo violin, BWV 1001, written in 1720, and rewrote it; it is not clear that it was intended for the lute. [2] No definitive manuscript version exists today, although there is a contemporary copy in tablature, possibly made by Bach's lutenist friend, Christian Weyrauch.
The violin collector Count Ignazio Alessandro Cozio di Salabue, Vuillaume, and later Tarisio Auctions have all contributed to this frenzy that would extend well into the 21st century. Also, most of the other major Cremonese luthiers died soon after Stradivari, putting an end to the golden period of Cremona's violin making, which lasted more ...
Giovanni Battista Guadagnini was born on 23 June 1711, in the hamlet of Bilegno, in what is now the Province of Piacenza in Northern Italy. Both his life and his career can be divided into four distinct periods, which correspond to the four cities in which he would live and work, Piacenza, Milan, Parma, and Turin.
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