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G. William "Bill" Oakley, Jr. (March 19, 1937 – October 30, 2010) [1] was a theatrical producer-director-actor and seminal figure in the revival of early American theater, melodrama and vaudeville with theaters in Colorado and Missouri.
The most famous London saloon of the early days was the Grecian Saloon, established in 1825, at The Eagle (a former tea-garden), 2 Shepherdess Walk, off the City Road in east London. [12] According to John Hollingshead , proprietor of the Gaiety Theatre, London (originally the Strand Music Hall), this establishment was "the father and mother ...
Vaudeville (/ ˈ v ɔː d (ə) v ɪ l, ˈ v oʊ-/; [1] French: ⓘ) is a theatrical genre of variety entertainment which began in France at the end of the 19th century. [2] A Vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs ...
He invented the waltz-clog step used in tap dance and clog dancing. In addition to touring in vaudeville, he had seven decade long career in Broadway musicals which began with In Atlantic City in 1898 and concluded with the role of Arvide Abernathy in the original production of Guys and Dolls in 1952-1953. He also starred in two dozen silent films.
The first theatre piece in the world to achieve 500 consecutive performances was the comedy Our Boys by H. J. Byron, which started its run at the Vaudeville in 1875. The production went on to surpass the 1,000 performance mark. This was such a rare event that London bus conductors approaching the Vaudeville Theatre stop shouted "Our Boys ...
It only took two days of being back at work after a long holiday break for Kelly Ripa to admit that she thinks she can make crystal meth. "Do you remember, Gelman, when I was like, 'I think I can ...
Federal food regulators raised their alarm for recalled eggs sold from Costco stores over possible salmonella exposure, reclassifying the targeted product to its highest risk level.
The circuit now included forty-five vaudeville theaters in thirty-six cities. Heiman and Beck continuously differed in their opinions over questions of theater building and programing. Beck preferred the big-time traditional model of live vaudeville acts while Heiman wanted smaller theaters that favored the new trend of a vaude-film combination ...