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Shaky camera, [1] shaky cam, [2] jerky camera, queasy cam, [3] run-and-gun [4] or free camera [4] is a cinematographic technique where stable-image techniques are purposely dispensed with shaking. It is a hand-held camera , or given the appearance of being hand-held, and in many cases shots are limited to what one photographer could have ...
Image stabilization (IS) is a family of techniques that reduce blurring associated with the motion of a camera or other imaging device during exposure.. Generally, it compensates for pan and tilt (angular movement, equivalent to yaw and pitch) of the imaging device, though electronic image stabilization can also compensate for rotation about the optical axis (). [1]
Purposeful use of this technique is called shaky camera and can be heightened by the camera operator during filming, or artificially simulated in post-production. To prevent shaky shots, a number of image stabilization technologies have been used on hand-held cameras including optical, digital and mechanical methods.
The events on screen are typically seen through the camera of one or more of the characters involved, often accompanied by their real-time, off-camera commentary. For added realism, the cinematography may be done by the actors themselves as they perform, and shaky camera work and naturalistic acting are routinely employed
A camera stabilizer, or camera-stabilizing mount, is a device designed to hold a camera in a manner that prevents or compensates for unwanted camera movement, such as "camera shake". For small hand-held cameras, a harness or contoured frame steadies the camera against the photographer's body. In some models, the camera mount is on an arm that ...
If going for the "documentary style", then it makes sense that films rely on shots that are literally from a handheld camera, whether "Saving Private Ryan" or "Cloverfield" (though for different reasons). Post-production shaky cam, however, is noticeable an after-effect (ie - the camera shooting the scene wasn't moving, but made to seem so later).
To avoid shaking the camera when lens adjustments are made, a wireless remote operated by the camera assistant is used to control focus and iris. For low-angle shots, the Steadicam sled can be inverted vertically, putting the camera on the bottom, and the monitor and batteries on the top. This is referred to as low mode operation.
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