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Sumizuri-e is a type of monochromatic woodblock printing that uses only black ink. It is one of the earliest forms of Japanese woodblock printing , dating back to the Nara period (710 – 794). Sumi-e translates to “ink wash painting,” which is a type of East Asian brush painting technique that uses black ink.
The ink wash paintings of Mi Fu and his son had a profound influence on Japanese ink painters, and Ike no Taiga is one of them. [78] Ike no Taiga (池大雅, 1723–1776) was a Japanese painter and calligrapher born in Kyoto during the Edo period. Together with Yosa Buson, he perfected the bunjinga (or nanga) genre. The majority of his works ...
Koho Yamamoto (born April 14, 1922) is an American artist known for her artistry in Sumi-e, a style of Japanese brushwork using black ink. She is also a poet, calligrapher, and a teacher. [1] [2] She uses her experiences from the American concentration camps to create beautiful abstract art.
Splashed-ink Landscape (破墨山水, Haboku sansui) by Sesshū Tōyō, 1495 Sesshu's landscape in hatsuboku style. Haboku (破墨) and Hatsuboku (溌墨) are both painting techniques employed in suiboku (ink-wash painting) in China and Japan, as seen in landscape paintings, involving an abstract simplification of forms and freedom of brushwork.
Haboku sansui (破墨山水図, haboku sansui-zu, Broken Ink Landscape) is a splashed-ink landscape painting on a hanging scroll. It was made by the Japanese artist Sesshū Tōyō in 1495, in the Muromachi period. The ink wash painting is classified as a National Treasure of Japan and currently held by the Tokyo National Museum. [1] [2]
Sesshū Tōyō (雪舟 等楊, c. 1420 – August 26, 1506), also known simply as Sesshū (雪舟), was a Japanese Zen monk and painter who is considered a great master of Japanese ink painting. Initially inspired by Chinese landscapes, Sesshū's work holds a distinctively Japanese style that reflects Zen Buddhist aesthetics. [1]
Ohaguro existed in Japan in one form or another for hundreds of years, and was considered a symbol of beauty for much of this time. Objects with a deep black color, such as those lacquered to a glossy black, were considered to be of great beauty, and many shades of black were used in dyeing kimono, with different shades holding different meanings.
Nihonga (Japanese: 日本画) is a Japanese style of painting that uses mineral pigments, and occasionally ink, together with other organic pigments on silk or paper. The term was coined during the Meiji period (1868–1912) to differentiate it from its counterpart, known as Yōga (洋画) or Western-style painting.
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