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Lisa Lynne is a Celtic harpist, a composer and new-age recording artist. She is a self-proclaimed multi-instrumentalist who has "spent the last eighteen years pursuing her passion for the Celtic harp." Lynne released her first solo albums, starting in 1992, as Lisa Franco on the German label Innovative Communication.
The left hand worked the chord buttons, and the right hand would strum the strings in the narrow area below the chord bars. [11] Right hand strums were typically done with a plectrum similar to a guitar pick, made of shell, plastic, or compressed felt. A strum would usually activate multiple strings, playing the chord held down by the left hand.
A harp guitar must have at least one unfretted string lying off the main fretboard, typically played as an open string. This family consists of many varieties of instrument configurations. Most readily identified are American harp guitars with either hollow arms, double necks or harp-like frames for supporting extra bass strings, and European ...
Also, a "hands-free" modification to the Hohner 270 (12-hole) lets the player shift the tones by moving the mouthpiece up and down with the lips, leaving the hands free to play another instrument. While the Richter-tuned 10-hole chromatic is intended to play in only one key, the 12-, 14-, and 16-hole models (which are tuned to equal temperament ...
The cross-strung harp or chromatic double harp is a multi-course harp that has two rows of strings which intersect without touching. While accidentals are played on the pedal harp via the pedals and on the lever harp with levers, the cross-strung harp features two rows so that each of the twelve semitones of the chromatic scale has its own string.
The guitar zither (also chord zither, fretless zither, [1] [2] mandolin zither [3] or harp zither [4]) is a musical instrument consisting of a sound-box with two sets of unstopped strings. One set of strings is tuned to the diatonic , chromatic , or partially chromatic scale and the other set is tuned to make the various chords in the principal ...
In the English Folk Revival of the 1960s, though the English concertina had been more an art music instrument, it became popular with British folk musicians. Karl Dallas has suggested that the mere presence of 'English' in the name attracted some of the revival's demographic; [6] however the instrument's versatility and portability were also important as factors in the instrument's adoption. [7]
In the key of C, for example, the F and G major chords can be played by moving the C major chord shape one octave group to the left or right. The same applies to Em, Am, and Dm. The minor chord shape is easier to play with the left hand, while major chords are easier to play with the right hand.