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Mata Ortiz pottery is a recreation of the Mogollon pottery found in and around the archeological site of Casas Grandes (Paquimé) in the Mexican state of Chihuahua. Named after the modern town of Mata Ortiz , which is near the archeological site, the style was propagated by Juan Quezada Celado .
A member of the Biih Bitoodnii (Deer Spring) clan, Goodman learned pottery making from her sister-in-law, Lorena Bartlett. Her range of work includes standard jars and bowls produced in a wide variety of shapes including a significant amount of animal forms such as chickens, rams, dogs, squirrels, bears, lions, elephants, and other domestic and wild creatures.
Ceramics in Mexico date back thousands of years before the Pre-Columbian period, when ceramic arts and pottery crafts developed with the first advanced civilizations and cultures of Mesoamerica. With one exception, pre-Hispanic wares were not glazed, but rather burnished and painted with colored fine clay slips .
Making a pot with the coiling technique. Coiling is a method of creating pottery.It has been used to shape clay into vessels for many thousands of years. It is found across the cultures of the world, including Africa, Greece, China, and Native American cultures of New Mexico.
Jun Kaneko (金子 潤, Kaneko Jun, born 1942) is a Japanese-born American ceramic artist known for creating large scale ceramic sculpture. [2] Based out of a studio warehouse in Omaha, Nebraska , Kaneko primarily works in clay to explore the effects of repeated abstract surface motifs by using ceramic glaze .
Maria Poveka Montoya Martinez (c. 1887 – July 20, 1980) was a Puebloan artist who created internationally known pottery. [1] [2] Martinez (born Maria Poveka Montoya), her husband Julian, and other family members, including her son Popovi Da, examined traditional Pueblo pottery styles and techniques to create pieces which reflect the Pueblo people's legacy of fine artwork and crafts.
Ladi Kwali was born in the village of Kwali in the Gwari region of Northern Nigeria, where pottery was an indigenous occupation among women. [3] She learned pottery as a child through her aunt, using the traditional method of coiling. She made large pots for use as water jars, cooking pots, bowls, and flasks from coils of clay, beaten from the ...
Elizabeth Fritsch is a studio potter and ceramic artist. She uses fine technically proficient hand built coiling techniques; architectural ceramic form, optical effects and surface design which, are usually hand painted with coloured slips. [3] The stoneware are biscuit fired and often re-fired a number of times. Each Fritsch pot is unique ...
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