Search results
Results from the WOW.Com Content Network
Vajrayana here referring to the Buddhist tradition based on the tantric literature of North Indian Mahayana, the Buddhist tantras and the works of the Nalanda - Vikramashila masters and the Buddhist mahasiddhas. However, these related traditions may have been influenced by Vajrayana proper and have borrowed practices from Vajrayana schools.
Vajrayoginī (Sanskrit: Vajrayoginī वज्रयोगिनी; Tibetan: རྡོ་རྗེ་རྣལ་འབྱོར་མ་, Wylie: rdo rje rnal ’byor ma, Dorjé Naljorma) is an important figure in Buddhism, especially revered in Tibetan Buddhism. In Vajrayana she is considered a female Buddha and a ḍākiṇī.
In the tantric traditions of Buddhism, the vajra is a symbol for the nature of reality, or sunyata, indicating endless creativity, potency, and skillful activity. The vajra and bell are used in many rites by a lama or any Vajrayana practitioner of sadhana. The vajra is a male polysemic symbol that represents many things for the tantrika.
Wrathful deities are a notable feature of the iconography of Mahayana and Vajrayana Buddhism, especially in Tibetan art. These types of deities first appeared in India during the late 6th century, with its main source being the Yaksha imagery, and became a central feature of Indian Tantric Buddhism by the late 10th or early 11th century. [2] [1]
The additional refuge formulations are employed by those undertaking deity yoga and other tantric practices within the Tibetan Buddhist Vajrayana tradition as a means of recognizing the universality of Buddha Nature. The Three Roots are commonly mentioned in the Nyingma and Kagyu literature of Tibetan Buddhism.
In Vajrayāna Buddhism, an empowerment or consecration (Sanskrit: abhiṣeka, lit. ablution; sprinkling) is an esoteric initiation or transmission of secret teachings performed by a tantric guru (vajracharya) to a student in a ritual space containing the mandala of a Buddhist deity. [1]
Tara (Sanskrit: तारा, tārā; Standard Tibetan: སྒྲོལ་མ, dölma), Ārya Tārā (Noble Tara), also known as Jetsün Dölma (Tibetan: rje btsun sgrol ma, meaning: "Venerable Mother of Liberation"), is an important female Buddha in Buddhism, especially revered in Vajrayana Buddhism and Mahayana Buddhism.
Dakini on a Gray Dog, Nyingmapa Buddhist or Bon Ritual Card; 18th- or 19th-century, watercolor on paper, 14 × 11 cm, Los Angeles County Museum of Art. Although ḍākinī figures appear in Hinduism and Bon, ḍākinīs occur most notably in Vajrayana Buddhism and especially Tibetan Buddhism.