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Dragon (Dutch: Draak) is a wood engraving print created by Dutch artist M. C. Escher in April 1952, depicting a folded paper dragon perched on a pile of crystals. [1] It is part of a sequence of images by Escher depicting objects of ambiguous dimension, including also Three Spheres I, Doric Columns, Drawing Hands and Print Gallery.
Maurits Cornelis Escher (/ ˈ ɛ ʃ ər /; [1] Dutch: [ˈmʌurɪts kɔrˈneːlɪs ˈɛɕər]; 17 June 1898 – 27 March 1972) was a Dutch graphic artist who made woodcuts, lithographs, and mezzotints, many of which were inspired by mathematics. Despite wide popular interest, for most of his life Escher was neglected in the art world, even in ...
E. File:Escher Alhambra Tessellation Sketch.jpg; File:Escher Circle Limit III.jpg; File:Escher Dragon.jpg; File:Escher Puddle.jpg; File:Escher sky water2.jpg
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Reptiles depicts a desk upon which is a two dimensional drawing of a tessellated pattern of reptiles and hexagons, Escher's 1939 Regular Division of the Plane. [2] [3] [1] The reptiles at one edge of the drawing emerge into three dimensional reality, come to life and appear to crawl over a series of symbolic objects (a book on nature, a geometer's triangle, a three dimensional dodecahedron, a ...
Another World II, also known as Other World II, is a woodcut print by the Dutch artist M. C. Escher first printed in January 1947. It depicts a cubic architectural structure made from brick. The structure is a paradox with an open archway on each of the five visible sides of the cube. The structure wraps around the vertical axis to enclose the ...
Snakes is a woodcut print by the Dutch artist M. C. Escher. The work was first printed in July 1969, and was Escher's last print before his death. [1] Snakes depicts a disc made up of interlocking circles that grow progressively smaller towards the center and towards the edge. There are three snakes laced through the edge of the disc.
A blue variant of the print sold for $94,062.50 in Los Angeles in 2022. [3] Escher became interested in how forms could fit together to create what Sarah Lawson calls "paradoxical patterns", as when the black geese in Day and Night emerge from the darkened spaces between the white geese that are flying in the opposite direction. [4]
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