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New Birth (also known as The New Birth) is an American funk and R&B group. It was originally conceived in Detroit, Michigan, by former Motown songwriter/producer Vernon Bullock and co-founded in Louisville, Kentucky, by him with former singer and Motown songwriter/producer Harvey Fuqua and musicians Tony Churchill, James Baker, Robin Russell, Austin Lander, Robert "Lurch" Jackson, Leroy Taylor ...
"She's my lady love". [11] The song was transformed in a number of ways: the racial imagery was replaced with lines referencing sailors, ships, docks, and lollipops; the entire verse sections which, in the original, contains the dramatic mood shift was updated to the jazzy big band sound that was popular at the time; and a woman (Mary Martin ...
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The New Birth was as much a concept as it was a group, as it consisted of the instrumental group The Nite-Liters, (already famous for the song "K-Jee"), who during their height, consisted of James Baker, Robin Russell, Leroy Taylor, Charlie Hearndon, Tony Churchill, Austin Lander, Robert "Lurch" Jackson, (and, at this point, Johnny Graham, though they would later add Carl McDaniel), female ...
Nairne began writing songs shortly after her father's death in 1792. [3] She was a contemporary of the best-known Scottish songwriter and poet Robert Burns.Although the two never met, together they forged a national song for Scotland, that in the words of Dianne Dugaw, Professor of English and Folklore at the University of Oregon, "lies somewhere between folk-song and art-song."
Dusty Springfield included a version of the song on her 1968 album Dusty... Definitely. In 1975 the song was remade by Louisville, Kentucky-based group New Birth. Their version was the group's only #1 hit on the soul chart and one of three songs to make the top 10 on that chart; it was one of two New Birth entries to hit the Top 40, reaching ...
The three unreleased songs were "Wiameah Bay", an instrumental by the Wrecking Crew, and two Rip Chords hot-rod songs ("Sting Ray" and "XKE") which had been in Columbia's vault since 1965. The fourth song was "Red Hot Roadster", originally scheduled for release as a single but instead appearing on the soundtrack of 1965's A Swingin' Summer. [41]
The song "Silent Worship" is a 1928 English-language adaptation for voice and piano by Arthur Somervell of Alessandro's aria "Non lo dirò col labbro" from Handel's 1728 opera Tolomeo (Ptolemy). It is the ninth song in Somervell's collection Ten Songs of Handel (8) and Giovanni Bononcini (2). [ 1 ]