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Radha-Krishna theme, from the Gita Govinda in Pahari style, Garhwal sub-school. Pahari painting (lit. ' a painting from the mountainous regions, pahar meaning a mountain in Hindi ') is an umbrella term used for a form of Indian painting, done mostly in miniature forms, originating from the lower Himalayan hill kingdoms of North India, during the early 17th to mid 19th century, notably Basohli ...
Kolozhi Cheerambathur Sankara Paniker (31 May 1911 – 16 January 1977) was an Indian metaphysical and abstract painter from Malabar District. [1] He interpreted the country's age-old metaphysical and spiritual knowledge in the 1960s, when Indian art was under the influence of the Western painters.
The chatra or chhatra, also known under various translations including the ceremonial, state, royal, or holy umbrella or parasol, is a symbol of royal and imperial power and sanctity in Indian art and a symbol of holiness in Hinduism, Jainism, and Buddhism. There are also various specific forms, including 3-, 7-, 8-, and 9-tiered chatra and the ...
Ancient temples and palaces in Kerala, India, display an abounding tradition of mural paintings mostly dating back between the 9th to 12th centuries CE when this form of art enjoyed royal patronage. The scriptural basis of these paintings can be found in the Sanskrit texts, Chithrasoothram - (Chitrasutra is a part of the Vishnu Dharmottara ...
Śaṅkha Auspicious symbol – conch Rewalsar. The right-turning white conch shell (Sanskrit: śaṅkha; Tibetan: དུང་དཀར་གཡས་འཁྱིལ་, THL: dungkar yénkhyil) represents the beautiful, deep, melodious, interpenetrating and pervasive sound of the dharma, which awakens disciples from the deep slumber of ignorance and urges them to accomplish their own welfare ...
Pattachitra is thus a painting done on canvas, and is manifested by rich colourful application, creative motifs, and designs, and portrayal of simple themes, mostly mythological in depiction. [14] The traditions of pattachitra paintings are more than thousand years old. [15] [16]
The Umbrellas, 1991, Japan Photograph of the yellow umbrellas of the 1991 Christo and Jeanne-Claude project in California. Photo by Robert S. McCombs. The Umbrellas, Japan–USA, 1984–91 was a 1991 environmental artwork in which artists Christo and Jeanne-Claude erected yellow and blue umbrella structures in California (between Gorman and Grapevine [1]) and Japan, respectively.
Meher worked as an art designer in the Weavers Service Centre in Bhubaneswar, Govt.Of India, under Development Commissioner Handloom, New Delhi from 1978 to 1993 creating textile designs for weavers and weaving organisations, [1] and developed some old Bomkai designs, which were developed into a product called "Bomkai Sari".
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